If
Sue Foley had been alive and playing juke joints when Alan Lomax traveled South to record for the Smithsonian, her songs would've been pressed onto 78's and would be among the blues standards today.
I watched the tour dates on her website for about three years, waiting for a concert close enough to attend, and was not disappointed. She played at the
Cowpie Blues Festival, an annual event held at John Crissman’s Shagbark farm, just outside of Grand Rapids.
For whatever value ranking has, she is one of the best three guitarists I have ever heard live (also
Christopher Parkening and
Rory Block), and I’ve had no lack of concert-going experience. The band overall was phenomenal as well, and the tightness the four maintained just downright astounded me at times. Although I may have had the best view of anyone besides the wildly gesticulating fan to my left (who seemed at times only inches from taking over Sue’s left-hand fret work), I had to close my eyes at times so I could just hear the pure music in my head like a bluesy dream that never wants to end.
Why why why in this damn over-commercialized musical context we find ourselves in can someone like her not be playing stadiums instead of farms?
I was fascinated back when I read the story of Delta blues man Son House, how a man so hugely influential could eventually travel north, stop playing, and never realize he had any impact beyond his initial audience. Or the similar case of Mississippi John Hurt, rediscovered in the folk revival around Greenwich Village. Those are happy stories.
I imagine we might be tempted to think that could never happen today. “Just look at American Idol,” I can hear someone say. Yes, just look at. But please, only briefly and with no real frequency. Unfortunately, it still does happen, and perhaps on a larger scale.
Don’t get me wrong, this isn’t patronizing pity, I don't mean to be cynical and I’m not bitter. Sue Foley is starting to amass a nice collection of awards, and has fans all over the world. Neither did I mind the rural setting of the Cowpie festival performance—it actually fit the music quite well I thought—but it just seems so backwards when I consider the number of records sold by and quality of music represented in most of the week-to-week Top-40 artists.
Afterward I bought an album and had Sue sign it. When I mentioned how long I’d waited to attend one of her concerts, she seemed almost apologetic, explaining that it’s hard to hit every area.
The photos below were taken at the concert by Mike Bodell, also a fan.